Jill Scott is just one of those artists you have to love. Whether or not you can get into her music is one thing. However, with realness about her and an aura of urbanized regality, one would have to at least respect her. Yet, it has been her music that did the most talking. With her first previous albums, she established her “real-sista-not-afraid-to-refine-herself” persona. With Light of the Sun, she lets it all flow, creating without overthinking.
     From the beginning of the album, the listener can tell that Jilly from Philly is in the mood to be thankful. “Blessed” is a jam that exudes spiritual thanks for everything, and every one, in her life (especially her son). “So In Love” is that radio jam that is undeniable from the first word breathed on the track by compatriot-in-song Anthony Hamilton. “Le Boom Suite” is a bass heavy, guitar subdued, piano laced composition reliving a situation dealing with getting over a foolish lover. By the time the band kicks into full gear, Jill unleashes her feelings introspectively, yet improvisational in her delivery. Even with “Quick”, she reflects on how quick love comes, goes, and the treasures (and trials) it leaves behind. It is safe to say that Jilly holds nothing back within her lyrics.
     What is so wonderful about this album is that it is so grounded within human reason and the desire for a better way. For example, “Hear My Call” is a conversation with God to help deliver her from the troubles and pain of her past relationships. This eventually leads into “Some Other Time” and “Making You Wait”, two songs that serve as exhibitions of caution and patience. By the time the album ends off with “When I Wake Up”, there is an understanding of that Jill is going to live her life to the fullest.
     With Light of the Sun, the title of the album is explanatory to what the music is all about. It is one of those expressions of self-worth and self-actualization. Although she is a woman with womanly/carnal needs, she knows better. She knows better than to trek into another situation of drama or relationship failure. From that point, she realizes that she has to reach towards the heavens for that extra push. With that said, Jill Scott just may have crafted one of the most humanizing, and even the best, albums of this year.

Review written by Mark A. Harris, contributing writer for STACKS Magazine